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David Brian Smith Visionary Painter of English Landscape at Painter’s Painters Exhibition Saatchi Gallery

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Currently on show at the Saatchi Gallery PAINTERS’ PAINTERS til 28 February 2017

David Brian Smith Gainsborough Farm 2014 Oil, Silver and gold leaf on herringbone linen 180 x 300 cm

David Brain Smith comes from a farming background, in Shropshire, where his father was a shepherd. He is passionate about the English countryside and the challenges facing farmers. He paints on herringbone linen because of its association to rural heritage, to flat caps and tweed jackets.
2Using the herringbone pattern, Smith creates incredibly varied bright and luminous paintings that at times even look visionary or futurist. He has been so passionate and incensed in the past that his stated ambition is to create 100 paintings of an image of a Shepard.
3David Brian Smith’s mother found the picture of the Shepherd tending his flock in a newspaper from the Daily Express’s 1933 Armistice Issue.

4David Brian Smith grew up on the family farm that inspires his paintings. Founded by his grandfather, near Shropshire, it was old style sheep farming, which became difficult to financially maintain. While not overt, his subject is informed by the artist’s personal experience of foot and mouth disease, BSE and economic challenges that have beset British farmers.


David Brian Smith Great Expectations – Wow 2010 Oil on herringbone linen 180 x 150 cm

2The British landscape has often been plundered to create imagery of a ‘golden age’ for war time propaganda. While the certainties and place of the land in producing the nation’s character has never been in greater question, Smith’s painting are filled with an immersive reverie of place and optimistic discovery.


David Brian Smith My Soul Hath A Remembrance And Is Humbled In Me – II 2011 Oil on herringbone linen 180 x 150 cm

2In a thoroughly contemporary language of brilliant colours, luminosity and dynamic perspectives the public discovers a new conception of the British landscape. The radical translation suggest a new kind of spirituality and series of associations through the painterly material encounter.

3Returning in this show to explore the regular motifs of a clipping of a shepherd from a found Daily Express’s 1933 Armistice Issue and a photograph of his missionary great-grandfather sitting on a giant ant hill in India, fleshing out deeper registers of each repeated image.


David Brian Smith Ant Hill 2015 Oil and gold leaf on linen 280 x 220 cm

2The work on show, bridges a stylistic shift between detailed crystalline light to a freer, looser and gloopy experimental use of material. Yet Signature to the paintings is a

3layering of different painterly languages, the written word (sometimes hidden), and an incorporation of the herring bone weave into the composition.

4Til 28th Feb

5http://www.saatchigallery.com/artists/david_smith.htm?section_name=paint_artist

6http://www.saatchigallery.com/artists/paint/

710am-6pm, 7 days a week,
last entry 5:30pm

8Duke of York’s HQ
King’s Road
London
SW3 4RY

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